Scorp Dezel just proved what can happen when talent meets purpose. His latest music camp in Nigeria wasn’t just about creating music — it was about community, connection, and pushing boundaries. What started as a spontaneous idea turned into a powerful five-day experience where creativity, culture, and collaboration came together in a way that felt larger than music.
Six months earlier, Scorp had traveled to Nigeria to visit his family. While there, he witnessed an overwhelming amount of raw talent — singers, producers, and songwriters grinding daily without the access or industry infrastructure often available in the U.S. That experience sparked a deeper purpose. He didn’t just want to make music in Nigeria; he wanted to make a difference. That vision became a reality with the launch of his first official music camp on Nigerian soil.
This wasn’t your average writing retreat. Every single day, producers crafted fresh beats from scratch. Writers and artists would then jump on those beats within hours, turning instrumentals into full records by nightfall. It was an atmosphere of nonstop momentum — artists were writing, recording, and experimenting around the clock. The energy was contagious, and the results were undeniable.
One of those results was “99,” a standout record that emerged from the camp and quickly climbed the iTunes charts, eventually reaching the #1 spot. That moment wasn’t just a personal win — it was a collective victory for everyone involved in the camp. It showed that great music created with heart and authenticity can rise to the top, even without traditional industry backing.
The camp featured an impressive mix of talent. Artists like Lade, Shay Vibes, Ayanfe, and Biju Boi brought their A-game, helping shape the sessions into something unforgettable. Another camp highlight was the track “Baddmanjody,” a raw and infectious record that came together during one of the most collaborative moments of the week, with Biju Boi at the center of it. Each session was fueled by trust, freedom, and the belief that music could open doors.
A huge part of making this happen was thanks to Scorp’s close friend AQT, who helped organize the camp and bring together the right group of creatives. AQT’s network and deep understanding of the culture made sure the environment wasn’t just productive — it was inspiring. Together, Scorp and AQT built more than a schedule or a studio space. They created a safe haven for innovation.
And the movement isn’t stopping anytime soon. Scorp has already replicated the experience in Los Angeles, where he brought in West Coast artists to revisit unfinished songs and build new collaborations. But what happened in Nigeria was different — it was about lifting up those who rarely get the spotlight and building bridges that connect continents through sound.
This is just the beginning. The blueprint has been laid, and more camps are already being discussed.
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